“We understand that every case is different and unique,” said Tracy Bolton, vice-president of Calibre. “We wanted to be a solution to that particular issue.”Ĭalibre has since partnered with Fanshawe College’s corporate training solutions division to offer job training to people with criminal records.Ĭalibre plans to help place candidates in industries involving food and beverage processing, hospitality, and manufacturing. “For many years we’ve experienced candidates with criminal backgrounds and they haven’t been able to secure employment and on the same token we’ve had employers with openings that they haven’t been able to fill,” said Bonnie Macklin, president & director of recruitment solutions. But one employment agency is trying to change that by giving people a second chance.Ĭalibre Recruitment, an employment agency in London, Ont., is trying to help people with criminal records find a job placement through their new Bridging the Skills Gap project.Īfter receiving $590,000 from the Skills Development Fund, the agency created a job training and career-coaching program for those with criminal records who’ve committed non-violent offences.
CALIBRE NETFLIX IMAGES MOVIE
But even though Calibre may not have changed the cinematic game, it is, none-the-less, a phenomenal movie which I cannot recommend highly enough.Approximately 3.83 million Canadians have a criminal record, which can make finding a job all that much more difficult. Calibre was too simple a story and too simply told to ever be classed as one of cinema’s greatest works. I am sorely tempted to give this a five star rating, but I only give five star reviews to films that I immediately think, “Wow, this will go down as one of the greatest movies in history”.
It’s hard to think of how this could have been improved. This film was tense and boding from the outset. None-the-less, this is a debut solo feature, and it a remarkable accomplishment. So the title “debutant” seems a little inappropriate. This was writer-director Matt Palmer’s first solo feature length film after several horror short films. I was fully gripped and absorbed, whereas Eden Lake now seems a little bit “horror movie”, emphasis on “movie”.
But in recalling Eden Lake, a truly gritty and realistic movie, Calibre made me realise how theatrical Eden Lake was by comparison. The finale was satisfying and totally appropriate with a final shot which made us feel complicit.Ĭalibre reminded me of the excellent Eden Lake: a tranquil countryside retreat, an incident in a forest, local townsfolk who seems a little on edge and present a constant threat. If you’re a man, this kind of sesh will definitely be familiar, true man-on-man bromantic bonding. The film’s first act sees them having a highly believable lad’s bonding session. It felt like our two leads had a lot of backstory to work with and were therefore able to deliver a very convincing throughline. But almost all of this was subtly and carefully implied rather than being explicitly stated. We get the impression that Vaughn had emotionally distant parents and was a bully victim Marcus seems to have the self-confidence and slightly self-destructive side afforded by a more privileged upbringing. Vaughn, a shy but nice bloke Marcus, his larger-than-life but slightly unbalanced friend. This is sold by some truly phenomenal acting, including from supporting characters. The film is marked by highly convincing motives and actions and reactions from all of our characters throughout. The writing is tight and fat-free but never feels shoehorned or with an inevitable end-point. The sound design is understated but truly powerful and sells the film magnificently. I particularly enjoyed one shot of Vaughn’s dinner. Indeed, the cinematography is beautiful and effective throughout, never drawing attention to itself but is quite magnificent. The countryside, almost a character itself, oozes Britishness and is both beautiful and haunting. The film gripped me with a suspense I haven’t felt for a while. We know something awful is going to go down. There’s an awful sense of inevitability from the very start of the film, even before the truly shocking and gut-wrenching inciting incident. But when an incident happens, their trip is turned into a nightmare that which will change their lives forever. Ironically, to hunt stags - all at Marcus’ expense. Two thirty-ish childhood friends, Vaughn (Jack Lowden) and Marcus (Martin McCann), meet up after a few years for a weekend away in Scotland to celebrate Vaughn’s impending fatherhood a kind of paternity stag do.
Debut solo feature … a remarkable accomplishment.
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